Courses
In The Studio
Instructor(s)
- Paul Lebel
- Nikki Rice
- Winnie Westergard
- Daniel Goody
- J. Gordon
- Meg McLynn
- Nicole Beerman
- Sophia Franzella
- BC Campbell
- Brad Taylor
- Charles Sheaffer
- Dan Shafer
- Diana Trotter
- Ellen Forney
- Emilia Kister
- Geof Alm
- Ian Bond
- Jessica Jobaris
- Leanna Keith
- Maja Sereda
- Matt Sircely
- Robynne Raye
- Sarah Lavin
- Tory Franklin
- Alia Swersky
- Barry Sebastian
- Brian Miller
- Brynne McGregor
- Chelsea Cook
- David Taft
- David Taylor Gomes
- Jeff Brice
- Jenna Spinei
- Jimmy Shields
- Kyungjin Kim (KJ)
- Lana Sundberg
- Lauren Boilini
- Lily Hotchkiss
- Lucie Baker
- Peter Vogt
- Ruthie Dornfeld
- Sage Casias-Abplanalp
- Samar Abulhassan
- Sarah Bixler
- Sarah Comer
- Soo Hong
- Zoe Crago
Game Art
![Headshot of Jeff Brice](/sites/default/files/styles/max_1600w/public/2023-06/J_BRICE_2x.jpg?itok=TLPDB6qR)
Jeff Brice
Jeff Brice has a long career as an artist and illustrator. His work has appeared in Wired magazine, Scientific American and Macworld to name a few. Jeff was one of the early content creators for the Microsoft Hololens mixed reality headset and helped produce the first major exhibition of the Hololens for the public. Jeff has shown in exhibitions internationally. He worked as creative director for Tiny Bites Games smartphone game GemSpinners II Waterquest. Jeff has a masters degree from New York Institute of Technology.
Film Foundations
![Paul Lebel in a cap photo on tin type traditional photograph in grey](/sites/default/files/styles/max_1600w/public/2024-03/Paul%20Lebel%20Bio%20Pic%20V1%202.jpg?itok=cvSvGwwe)
Paul Lebel
From a young age, I've been captivated by light and its power to transform the world around me. At seven years old, I begged for a camera, eager to capture the magic of my small world through photography. This insatiable curiosity has fueled my journey as a visual storyteller, leading me across the globe to film and edit stories for brands worldwide. Through these experiences, I've grown as a person, and I remain just as curious and excited to explore new stories and mediums.
My artistic practice as A Box In The Sea extends into multimedia, print, and sound art. In my sound lab, I experiment with soundscapes and scores, translating them into visuals and rendering them into pen and ink. This process of creating and transforming sound into art is a continuous cycle of discovery, and it's a journey I feel lucky to be on.
![Brynne animation instructor with short brown hair in a black turtleneck](/sites/default/files/styles/max_1600w/public/2024-03/Brynne%20Picture%202.jpg?itok=IuU1UmgH)
Brynne McGregor
Brynne is a writer, director, and animator. She holds an MFA in film production from The University of Texas at Austin and a BA in film studies and video art from The Ohio State University. Her work focuses on metacognition, linguistics, and memory through non-fiction and/or animated film. She has published articles in Film Matters magazine and has screened her short films internationally at festivals including Ann Arbor, Athens, Raindance, and SXSW. Presently, Brynne lives in Seattle, Washington where she produces and edits independently and teaches at Cornish College of the Arts.
Street Dance Forms
Screendance
Social Dance Forms
![Lucie Baker Headshot](/sites/default/files/styles/max_1600w/public/2024-01/Lucie%20Baker%20Headshot%202.jpg?itok=vtRLesDR)
Lucie Baker
Lucie Baker is a dance artist, educator, and expressive arts facilitator based in Seattle, Washington. Her parents met in a community folk dance group so social dancing is in her bones. She loves social dance for its joy, community, and expansive self-expression. As a teacher, she strives to create a supportive environment where students can connect and explore. Her classes integrate her background in western concert dance and social dance with her love of somatics and anatomy. From a young age she was surrounded by a diversity of dance styles including swing, ballet, modern, balkan folk dance, and more. Her curiosity for movement led her to pursue a career as a professional performer and choreographer in New York City and abroad working with many notable artists including Jane Comfort, Tamar Rogoff, Erica Essner, Phantom Limb and Seattle Opera. In her training, she earned a BFA from the Juilliard School and an MFA from the University of Washington. After many years of performing, creating, and teaching, she became interested in the intersection of dance and mental health and received her expressive arts therapy training at the Tamalpa Institute, founded by Anna and Daria Halprin. She continues to develop her artistic practice alongside while also serving as a faculty member at Cornish College of the Arts, University of Washington and Century Ballroom.
Improvisational Practices
![Headshot of Alia Swersky](/sites/default/files/styles/max_1600w/public/2023-06/A_SWERSKY_2x.jpg?itok=rnH_tYiC)
Alia Swersky
Alia Swersky is a movement artist, performer and educator deeply engaged in dance improvisation, durational time-based art, film, site-specific work, and environmental installation. She is an artist and an educator with degrees from Cornish College of the Arts and an MFA in dance from the University of Washington.
Her artistic path over the last two decades has been shaped by this yearning for deep and meaningful connections with people and places. As a co-creator, ritual maker, and a “horizontal” director, Alia seeks to touch others through dance, somatic presence, vulnerability, and fierceness. Her work ranges from full audience participation to intimate acts of One-to-One performances, site-specific dances for film and live performance, as well as durational time-based art that includes physical acts of endurance, repetition, stillness, subtlety, singing, soft energetic grace, abstraction, caricature, and a deconstruction of clichés such as extreme high femme expressions. Her teaching and art-making seek to create practices that embrace endurance on stage and in life as acts of resistance, resilience, release, and beauty.
As a performer, Alia has also toured nationally and internationally as a member of the LeGendre Performance Group and has performed in the works with many Seattle artists, some of which include The Maureen Whiting Company, Khambatta Dance Company, Jurg Koch, KT Niehoff, and Salt Horse.
As an educator, she has taught at Cornish College of the Arts for sixteen years and in the Seattle community at Velocity’s Strictly Seattle Festival, and the Seattle Festival of Dance Improvisation (SFDI). She was a long time Co-artistic director of Dance Art Group (DAG), a non-profit organization that promotes the practice and appreciation of dance and somatic education in the Seattle area, including the Seattle Festival of Dance Improvisation.
Dance Intensive
Technical Theater
![Headshot of Daniel Goody](/sites/default/files/styles/max_1600w/public/2023-06/D_GOODY_2x.jpg?itok=p6QeSaOT)
Daniel Goody
Daniel Goody has been working in the performing arts field since 2001 starting in the UK as a sound engineer. Presently working as the Head of Audio at the Playhouse in Seattle for Cornish College of the Arts, his work has spanned many disciplines over the years including audio, light and video design. His primary collaboration since 2015 has been with the Danish immersive theatre group Sisters Hope.
Following a decade in Sweden as the Technical Director at the culture house Inkonst Malmö, Daniel formed artistic partnerships with a number of performance, dance and theatre groups based throughout the Nordic and European regions. These collaborations, with groups such as; Institutet, White On White, Jon & Juli and Lucie Tuma explored the family, critical whiteness and the relationship to the body on a wholly radical level.
Life Drawing
![Headshot of J. Gordon](/sites/default/files/styles/max_1600w/public/2023-06/J_GORDON_2x.jpg?itok=LAvu4gXr)
J. Gordon
J. Gordon brings over two decades of experience as an artist, educator, and curator, to his classrooms. Gordon earned his BFA and MFA in painting from the University of Kansas and the Pennsylvania Academy of the Fine Arts respectively. While his current professional practice centers primarily around the medium of drawing, he incorporates aspects of traditional and contemporary painterly practices in both his teaching methods and mixed media art works.
Gordon is a recipient of multiple scholarships and awards, as well an artist fellowship from the state of Delaware. He has taught drawing at many colleges, art centers, and museums including the Tacoma Art Museum and the Pennsylvania Academy of the Fine Arts. He is currently represented by Gallery Strega, where he also plays a supporting role in exhibition design and curation.
Cinematography
![Paul Lebel in a cap photo on tin type traditional photograph in grey](/sites/default/files/styles/max_1600w/public/2024-03/Paul%20Lebel%20Bio%20Pic%20V1%202.jpg?itok=cvSvGwwe)
Paul Lebel
From a young age, I've been captivated by light and its power to transform the world around me. At seven years old, I begged for a camera, eager to capture the magic of my small world through photography. This insatiable curiosity has fueled my journey as a visual storyteller, leading me across the globe to film and edit stories for brands worldwide. Through these experiences, I've grown as a person, and I remain just as curious and excited to explore new stories and mediums.
My artistic practice as A Box In The Sea extends into multimedia, print, and sound art. In my sound lab, I experiment with soundscapes and scores, translating them into visuals and rendering them into pen and ink. This process of creating and transforming sound into art is a continuous cycle of discovery, and it's a journey I feel lucky to be on.
Dance for Musical Theater
![Jimmy Shields in a black and white photo with black fedora hat leaning on a post.](/sites/default/files/styles/max_1600w/public/2024-02/JimmyShields.jpg?itok=q_cjLaSs)
Jimmy Shields
I was born into a military family in Honolulu, HI and moved to the Pacific Northwest as a toddler. Already singing and dancing by the age of two, I began my formal dance training at the age of 8 while attending Elk Plain School of Choice, an arts elementary school that allowed me to study all disciplines of dance.
Over the years, my strong passion for music & the arts has given me the opportunity to sing and share the stage with the likes of Sugar Ray, Keith Sweat, (the REAL) Lady-A, Kim Archer and Tiffany Wilson. Singing has also allowed me to perform for the Seattle Seahawks Season Opener and the Make a Wish Foundation.
If you are local to the Seattle area, you may have seen me acting on stage at Village Theatre, Tacoma Musical Playhouse, or ACT Theatre. I’ve also directed and choreographed for Showtunes Theatre Company, Seattle Repertory Theatre, The 5th Avenue Theatre, Village Theatre, Theatre Puget Sound and Tacoma Arts Live.
On this site you will get to see all sides of me. Be it through my words, my music, or my movement, I hope I make you feel something.
Live Sound Engineering
![Headshot of Daniel Goody](/sites/default/files/styles/max_1600w/public/2023-06/D_GOODY_2x.jpg?itok=p6QeSaOT)
Daniel Goody
Daniel Goody has been working in the performing arts field since 2001 starting in the UK as a sound engineer. Presently working as the Head of Audio at the Playhouse in Seattle for Cornish College of the Arts, his work has spanned many disciplines over the years including audio, light and video design. His primary collaboration since 2015 has been with the Danish immersive theatre group Sisters Hope.
Following a decade in Sweden as the Technical Director at the culture house Inkonst Malmö, Daniel formed artistic partnerships with a number of performance, dance and theatre groups based throughout the Nordic and European regions. These collaborations, with groups such as; Institutet, White On White, Jon & Juli and Lucie Tuma explored the family, critical whiteness and the relationship to the body on a wholly radical level.
Costume Design
![Chelsea Cook in a black tank top](/sites/default/files/styles/max_1600w/public/2024-02/IMG_9906%202.jpg?itok=c0T5lf_I)
Chelsea Cook
Chelsea Cook is a freelance costume designer, educator, and business owner. Her work has been seen at Kentucky Opera, Seattle Shakespeare Company, Seattle Opera, Village Theatre, Tacoma Opera, George Street Playhouse, ArtsEmerson, and more. Select favorite designs include Ernest Shackleton Loves Me (Off-Broadway Alliance Award, Second Stage Theatre); O+E (Seattle Opera) She’s Come Undone (Gregory Award Nomination, Book-It); What We Talk About When We Talk About Love (Book-It Repertory); and Medea (Seattle Shakespeare Co.). She has a B.A. from Cornish College of the Arts.
Acting for Stage and Screen
![Headshot of Meg McLynn](/sites/default/files/styles/max_1600w/public/2023-06/M_MCLYNN_2x.jpg?itok=gf9eOmgM)
Meg McLynn
Meg McLynn is an actor, vocalist, and teaching artist who has been seen on stages and screens throughout North America. Meg loves to share her passion for performance with students of all ages, and it is her belief that the work we do in “the studio” is applicable to all aspects of our everyday lives.
Having studied for 7 years under renowned voice teacher, Kristin Linklater, Meg now works with students to help them take ownership of their wonderfully unique voices. She teaches Voice and Speech at Cornish College of the Arts, and she serves as a vocal coach with Jack Straw Studios. She has assisted with voice training at Columbia Business School and World Leaders Forum in New York City. Meg also teaches Voice and Acting classes at Freehold Theatre Lab and Mighty Tripod Studios in Seattle.
Meg is a member of the Seattle-based vocal trio, Blue Plate Special, and has been an Anthem Singer for the Seattle Seahawks. As a concert soloist, she performed the songbooks of Patsy Cline, Judy Garland, and Carly Simon with Purple Phoenix Productions. Local acting credits include roles with Seattle Shakespeare Company, Book-It Rep, Seattle Symphony, ArtsWest, Seattle Opera, Seattle Public Theatre, Washington Ensemble Theatre, Theatre22, Harlequin Productions, and 14/48: TWQTF, as well as the feature films “Different Drummers”, “7 Minutes”, and “Colton”. You can see her in the series, “The Girl in the Woods” streaming on NBC/Peacock.
Graphic Design
![Headshot of Robynne Raye](/sites/default/files/styles/max_1600w/public/2023-06/R_RAYE_2x.jpg?itok=gXbeMz9l)
Robynne Raye
Robynne Raye is a co-founder of the Seattle-based Modern Dog Design Co, an internationally acclaimed design and illustration studio that opened in 1987. Her client list includes Showtime, The New York Times, Coca-Cola, Nordstrom, HarperCollins, Warner Bros. Records, Hillary Clinton, and K2 Snowboards. Her posters have been exhibited internationally, and are collected in the archives of major libraries and museums worldwide, including the Library of Congress, Bibliothèque National de France, Museum Fur Kunst und Gewerbe, the Smithsonian Institute’s Cooper-Hewitt National Design Museum, Guan Shanyue Art Museum, and the Louvre’s Musee Des Arts Decoratifs, among others.
For over thirty years, Raye has lectured extensively about design issues and led workshops around the world. In 2013, Graphic Design USA Magazine listed her as one of the "50 Most Influential Designers Working Today.” She is the co-author of Modern Dog, 20 Years of Poster Art and Inside the World of Board Graphics: Skate, Surf, Snow, and author of 1000 Dog Portraits.