Bradley Taylor is a Seattle based artist, and printmaker. He is currently working at Cornish College of the Arts as the Printmaking Studio Technician. Proficient in all forms of printmaking Bradley specializes in woodblock prints. His work has been shown in numerous galleries in the Seattle area. He has also work collaboratively with many notable Seattle Artists.

I am energized by the spirited exchange of expression and ideas. I am a metal worker, sculptor and installation artist. I have always worked with my hands; gardening, farming, fabricating. I took my first metal working class at Pratt Fine Art Center nearly 25 years ago and went on to get a certificate in Welding/Fabrication at South Seattle Community College specializing in non-ferrous metals and blacksmithing. 

I have been a metalworker in various industrial and artistic capacities ever since: I ran public art programs in SE Seattle high school and middle schools, as well as worked alongside established artists and builders. I have recently returned to Pratt teaching forging and welding for adults, families and and teens. I also teach at Burkehead Art Center and Coyote Central.  I maintain a shop/art practice on our family farm amongst the goats in Woodinville, Wa. 

J. Gordon brings over two decades of experience as an artist, educator, and curator, to his classrooms.  Gordon earned his BFA and MFA in painting from the University of Kansas and the Pennsylvania Academy of the Fine Arts respectively. While his current professional practice centers primarily around the medium of drawing, he incorporates aspects of traditional and contemporary painterly practices in both his teaching methods and mixed media art works.

Gordon is a recipient of multiple scholarships and awards, as well an artist fellowship from the state of Delaware.  He has taught drawing at many colleges, art centers, and museums including the Tacoma Art Museum and the Pennsylvania Academy of the Fine Arts. He is currently represented by Gallery Strega, where he also plays a supporting role in exhibition design and curation.

I find myself drawn to the foundation of things, to the root of their cause and the long cycle of their existence. It’s a fascination with structures laying between the very vast and the very small. A desire to see a system writ into the nature of things, defining every surface, every thought and idea. A simple piece of humanity laying somewhere between stars and bones, summoning the great and small triumphs of our innumerable endeavors.

Focusing primarily in sculpture, but not limited to any specific medium, I create kinetic environments with an internal logic and history often propelled by a simple hand crank. I invite the viewer to become a part of the work through participation, animating a tableau of flora and fauna that bloom or flutter to life when activated. When conceiving my pieces I center on a hidden narrative and assign visual elements that aline with the concept of the piece, often utilizing ornate structures and simple construction methods to further highlight my interests in Nature, foundation and form. When creating my work I look for patterns in the environments around me, trying to tease out symmetry in their ecosystems. I look for how innovation shapes itself into our ever expanding systems of complexity and knowledge. I create work that attempts to straddle the concepts of chaos, pattern, and emergence. These are the pillars I search for, the thoughtful hands that hold my metaphors.

Dan D. Shafer is a graphic designer, artist, and educator living and working in Seattle. He owns Dandy Co., a graphic design studio specializing in book design, installation, and environmental design (as well as event promotion and branding). The studio's clients include Kronos Quartet, American Cancer Society, Salish Lodge, Herman Miller, and Pratt Fine Arts Center.

Shafer is also the creative director at Chin Music Press. His self-initiated social practice installations explore the nebulous territory that exists between traditional definitions of "art" and "design," and investigate how people interact with objects in their everyday lives.

Bradley Taylor is a Seattle based artist, and printmaker. He is currently working at Cornish College of the Arts as the Printmaking Studio Technician. Proficient in all forms of printmaking Bradley specializes in woodblock prints. His work has been shown in numerous galleries in the Seattle area. He has also work collaboratively with many notable Seattle Artists.

Bradley Taylor is a Seattle based artist, and printmaker. He is currently working at Cornish College of the Arts as the Printmaking Studio Technician. Proficient in all forms of printmaking Bradley specializes in woodblock prints. His work has been shown in numerous galleries in the Seattle area. He has also work collaboratively with many notable Seattle Artists.

Seattle fiddler Ruthie Dornfeld’s vibrant, expressive playing is voiced in a wide range of traditional fiddle styles, from Celtic, American Old-Time, and French Canadian, Scandinavian, and Eastern European. She has performed and taught widely throughout the US, Europe, and South America. During her 15 year sojourn in New England, Ruthie studied at Berklee College of Music, was a member of the twin fiddle stringband The Poodles, the bluegrass band Boston City Limits, the Hungarian band The Pulis, was a mainstay on the contra dance circuit, and toured Europe with tapdancer Ira Bernstein and with the Copenhagen-based American Cafe Orchestra. Since returning to the Pacific Northwest in 1996, she has been a member of the French cabaret group Rouge, performs with guitar master John Miller, with the quintet Tangoheart, and for local contra and English dancing.

A freelance flutist, artist, improviser, and composer in the Seattle area, Leanna Keith delights in creating sound experiences that make audiences laugh, cry, and say: “I didn’t know the flute could do that!”  She also teaches as the flute professor at Cornish College of the Arts. Her performance artworks have focused on cultural connection and the breaking of audience/performer boundaries. In 2021 she released her first solo album, TAROT Album, which she composed, performed, recorded, and mixed. The album release show premiered online, featuring collaborations between choreographers, digital media artists, stop motion artists, puppetry, and more.

Leanna is currently a co-director of the chamber music ensemble Kin of the Moon, with violist/improviser Heather Bentley and composer/vocalist Kaley Lane Eaton. Kin of the Moon is an improvisation-centric, technology-friendly chamber music series incubated in Seattle's rich musical scene. The series explores sonic rituals, promotes cross-pollination of genres, emphasizes the communicative power of specific performance locales, and celebrates the creativity that multiplies itself through the collaboration of performers and composers.

Kate Falconer is a performer, educator and music producer based in Seattle, WA. She is a Stranger Genius Award Nominee, a celebrated beat maker and producer, classical multi-instrumentalist and fierce performer at major festivals and venues across the Pacific Northwest.  Working as a private instructor and teaching artist for almost 20 years has enabled Kate to share her love of music, audio and digital production with people of all ages.  She is specifically interested in increasing equity, access and knowledge for people who might otherwise not have the opportunity or confidence to explore new facets of their musical experience. 

Soo Hong is a visual artist whose work explores issues surrounding cultural identity. Having lived and exhibited in places around the world, including, London, Shanghai, her native South Korea, and now the U.S., her experience of varying cultural norms and expectations has precipitated her observational practice. Her paintings represent an unbound freedom of expression released of any formal adherence to a determined identity.

Her work has been shown in galleries around the world, and she has been awarded grants from D&AD (London), GAP (Seattle), Bellevue Arts Program (Bellevue) and was a finalist for the Neddy Awards (Seattle). She had her solo shows in Seattle at Linda Hodges Gallery and AMcE Creative Arts gallery. Her work is part of the permanent collections at the Seattle-Tacoma International Airport, the city of Bellevue, and the city of Portland. She created public art installations for Redmond Lights, Odessa Children's Hospital (Seattle), and The Vera Project (Seattle).

Ellen Forney is the author of the bestselling graphic memoir, Marbles: Mania, Depression, Michelangelo, & Me, and its companion book, Rock Steady: Brilliant Advice From My Bipolar Life. Marbles has been translated into six foreign languages and was the selection for common book programs at the University of Washington Health Sciences schools and UC Davis. She curated an exhibition for the National Library of Medicine on Graphic Medicine, comics about health, and has given talks and lectures internationally at universities, conferences, and institutions, including a recent TED talk. As a visual artist, she created two large-scale murals for Seattle’s Capitol Hill light rail station. She has taught comics at Cornish College of the Arts since 2002 and is currently working on a middle-grade book on making autobiographical comics.