Winifred Westergard is a Seattle based fine art and commercial photographer with degrees from the University of Washington and Cornish College of the Arts in Creative Writing, Journalism and Art. Her art making foundation is rooted in the early processes of photography, fully embracing the slow processes of 19th century photography. She is a visual creator with a strong base on human emotion and storytelling. She has managed the photography studio at Cornish College of the Arts since 1999 and has taught Photography and Portfolio Development through Summer@Cornish since 2003.

Tory Franklin is a visual artist working with diverse media unified by pattern, print, and narrative. Since 2010, Franklin has focused on public installations inspired by folktales that are accompanied by screen-printed books, posters, and other ephemera. Her work has been exhibited at MAD Art, Bellevue City Hall, Storefronts Seattle, Storefronts Auburn, Spaceworks Tacoma, the Renton Arts Commission, Arts-A-Glow festival, Portland Winter Light Festival, the VERA Project, and 826 Seattle. She has received a Seattle Office of Arts & Culture City Artists project grant, a 4Culture project grant, and an Artist Trust GAP grant for these projects. In 2015, Franklin created her first permanent window piece with her sister, Eroyn Franklin, for Harborview Medical Center, and is currently working on SoundTransit’s Star Lake light rail station in Kent slated to open in 2024.

Nicole is an actor, singer, dancer, choreographer, teacher, visual artist, wife to Josh and mother to Max and Huxley. Nicole has lived and worked on both coasts, loves to create, garden, and do construction! On screen, Nicole has been seen in Nike, LG, and T-Mobile commercials. On stage in Adrift (Sam French Festival), Big Effing Deal! (Duet with Reggie Watts), Cabaret (Gregory Award Nominee), Mary Poppins, Annie, Bye Bye Birdie, How to Succeed, Once Upon A Time in New Jersey and many Village Originals (Village Theatre), The Constant Wife (Seattle Rep), Cabaret (5th Ave, AMTSJ, Ordway Center), Wonderful Town (5th Ave), Ming the Rude (Empty Space), Elephant and Piggie, Fire Station 7, Sleeping Beauty (SCT), Tapestry (Oregon Cabaret Theatre), and many more. As a choreographer and dancer Nicole had the honor of working with Sonya Tayeh and the Oregon Shakespeare Festival with running the dance call for the original production of Head Over Heals. In New York, Nicole’s work has been seen at the HERE Center, Ensemble Studio Theatre, Clubbed Thumb, Astoria Performing Arts, The Management and Acting Manitou. In Seattle, at KIDSTAGE, Cornish, Oregon Cabaret Theatre, The Triple Door, Café Nordo, Seattle Children’s Theatre, Fantastic Z, and Art Institute of Seattle. Nicole is currently teaching at Cornish College of the Arts, Seattle Film institute, and Westlake Dance Center. She has also taught at UW, Art Institute of Seattle, Hunter College High School, VAM Studios, 5th Avenue, Century Ballroom, McCarter Theatre Company, Jersey City Dance Academy, and The Studios. Nicole holds a BFA from Cornish College of the Arts, is a certified Simonson Technique teacher and a member of Actors’ Equity.

Seattle fiddler Ruthie Dornfeld’s vibrant, expressive playing is voiced in a wide range of traditional fiddle styles, from Celtic, American Old-Time, and French Canadian, Scandinavian, and Eastern European. She has performed and taught widely throughout the US, Europe, and South America. During her 15 year sojourn in New England, Ruthie studied at Berklee College of Music, was a member of the twin fiddle stringband The Poodles, the bluegrass band Boston City Limits, the Hungarian band The Pulis, was a mainstay on the contra dance circuit, and toured Europe with tapdancer Ira Bernstein and with the Copenhagen-based American Cafe Orchestra. Since returning to the Pacific Northwest in 1996, she has been a member of the French cabaret group Rouge, performs with guitar master John Miller, with the quintet Tangoheart, and for local contra and English dancing.

Born and raised in Seattle, after high school, Nikki moved to California to attend college, receiving a BFA in Film Production in2002 from Chapman University. For the next 6 years she worked various office jobs in the film industry while also earning a Masters Degree in Secondary Education. In 2006 Nikki decided to shift her career to special effects make-up from there segueing into the stop motion world, beginning in 2008 with Shadow Machine on the Adult Swim hit show, Robot Chicken: Season 3. Nikki has worked as a puppet fabricator, lead fabricator and department head on numerous stop motion television shows, commercials and films, helping create iconic stop motion characters for such shows/films as Elf: Buddy's Musical Christmas, Happy Honda Days (SoCal regional commercial campaign 12 years running), Ask the Story Bots, Buddy Thunderstruck, Anomolisa and Ted Lasso to name a few. In 2022, the next adventure brought Nikki back home to Seattle to be closer to family and to hang out her own shingle as Puppets Northwest, offering a one stop shop for puppets of all kinds, SFX, 3D modeling/printing and educational outreach.

Dan D. Shafer is a graphic designer, artist, and educator living and working in Seattle. He owns Dandy Co., a graphic design studio specializing in book design, installation, and environmental design (as well as event promotion and branding). The studio's clients include Kronos Quartet, American Cancer Society, Salish Lodge, Herman Miller, and Pratt Fine Arts Center.

Shafer is also the creative director at Chin Music Press. His self-initiated social practice installations explore the nebulous territory that exists between traditional definitions of "art" and "design," and investigate how people interact with objects in their everyday lives.

Meg McLynn is an actor, vocalist, and teaching artist who has been seen on stages and screens throughout North America. Meg loves to share her passion for performance with students of all ages, and it is her belief that the work we do in “the studio” is applicable to all aspects of our everyday lives. 

Having studied for 7 years under renowned voice teacher, Kristin Linklater, Meg now works with students to help them take ownership of their wonderfully unique voices. She teaches Voice and Speech at Cornish College of the Arts, and she serves as a vocal coach with Jack Straw Studios. She has assisted with voice training at Columbia Business School and World Leaders Forum in New York City. Meg also teaches Voice and Acting classes at Freehold Theatre Lab and Mighty Tripod Studios in Seattle. 

Meg is a member of the Seattle-based vocal trio, Blue Plate Special, and has been an Anthem Singer for the Seattle Seahawks. As a concert soloist, she performed the songbooks of Patsy Cline, Judy Garland, and Carly Simon with Purple Phoenix Productions. Local acting credits include roles with Seattle Shakespeare Company, Book-It Rep, Seattle Symphony, ArtsWest, Seattle Opera, Seattle Public Theatre, Washington Ensemble Theatre, Theatre22, Harlequin Productions, and 14/48: TWQTF, as well as the feature films “Different Drummers”, “7 Minutes”, and “Colton”. You can see her in the series, “The Girl in the Woods” streaming on NBC/Peacock.

Born and raised in Seattle, after high school, Nikki moved to California to attend college, receiving a BFA in Film Production in2002 from Chapman University. For the next 6 years she worked various office jobs in the film industry while also earning a Masters Degree in Secondary Education. In 2006 Nikki decided to shift her career to special effects make-up from there segueing into the stop motion world, beginning in 2008 with Shadow Machine on the Adult Swim hit show, Robot Chicken: Season 3. Nikki has worked as a puppet fabricator, lead fabricator and department head on numerous stop motion television shows, commercials and films, helping create iconic stop motion characters for such shows/films as Elf: Buddy's Musical Christmas, Happy Honda Days (SoCal regional commercial campaign 12 years running), Ask the Story Bots, Buddy Thunderstruck, Anomolisa and Ted Lasso to name a few. In 2022, the next adventure brought Nikki back home to Seattle to be closer to family and to hang out her own shingle as Puppets Northwest, offering a one stop shop for puppets of all kinds, SFX, 3D modeling/printing and educational outreach.

Alia Swersky is a movement artist, performer and educator deeply engaged in dance improvisation, durational time-based art, film, site-specific work, and environmental installation. She is an artist and an educator with degrees from Cornish College of the Arts and an MFA in dance from the University of Washington.

Her artistic path over the last two decades has been shaped by this yearning for deep and meaningful connections with people and places. As a co-creator, ritual maker, and a “horizontal” director, Alia seeks to touch others through dance, somatic presence, vulnerability, and fierceness. Her work ranges from full audience participation to intimate acts of One-to-One performances, site-specific dances for film and live performance, as well as durational time-based art that includes physical acts of endurance, repetition, stillness, subtlety, singing, soft energetic grace, abstraction, caricature, and a deconstruction of clichés such as extreme high femme expressions. Her teaching and art-making seek to create practices that embrace endurance on stage and in life as acts of resistance, resilience, release, and beauty. 

As a performer, Alia has also toured nationally and internationally as a member of the LeGendre Performance Group and has performed in the works with many Seattle artists, some of which include The Maureen Whiting Company, Khambatta Dance Company, Jurg Koch, KT Niehoff, and Salt Horse.

As an educator, she has taught at Cornish College of the Arts for sixteen years and in the Seattle community at Velocity’s Strictly Seattle Festival, and the Seattle Festival of Dance Improvisation (SFDI). She was a long time Co-artistic director of Dance Art Group (DAG), a non-profit organization that promotes the practice and appreciation of dance and somatic education in the Seattle area, including the Seattle Festival of Dance Improvisation.

Maja Sereda is an environmental artist, teacher and coach. Born in Poland, Maja has dedicated her life to transcribing and sharing her experiences in nature. Working with pen, graphite, color pencils, charcoal and mixed media, her highly detailed drawings explore the myriad connections between human beings and the natural world. Her drawings have been shown throughout the US, Europe, and South Africa. 

After studying graphic design at University of Pretoria and working as an art director in advertising agencies, both in South Africa and Ireland, Maja became an award-winning book illustrator. She has illustrated more than 20 books with many major publishers including Penguin Random House, Maskew Miller Longman, Oskar Editeur, Tafelberg & Lapa Publishers. Amongst others, she won the Crystal Kite award in 2011 and the Katrine Harries Award for best illustration for 2010. In 2012, she was also invited to illustrate a book with a French author, Yves Pinguilly titled La Grande Fleur (The Big Flower), followed by an invitation to Salon du Livre fair in Paris, France and La Reunion, where she showcased her books and led art workshops for children. 

Now based in Seattle, Maja is a teaching artist and coach. With the outbreak of COVID, she began teaching drawing classes online. By investing deeply in her students’ work through highly individualized feedback, research and demonstrations, she nurtures an online community of over 250 artists. 

With a deep passion for nature, drawing and community, Maja operates Guardians of the Jungle, a creative project which aims to save endangered wildlife and protect precarious ecosystems.

Bradley Taylor is a Seattle based artist, and printmaker. He is currently working at Cornish College of the Arts as the Printmaking Studio Technician. Proficient in all forms of printmaking Bradley specializes in woodblock prints. His work has been shown in numerous galleries in the Seattle area. He has also work collaboratively with many notable Seattle Artists.

J. Gordon brings over two decades of experience as an artist, educator, and curator, to his classrooms.  Gordon earned his BFA and MFA in painting from the University of Kansas and the Pennsylvania Academy of the Fine Arts respectively. While his current professional practice centers primarily around the medium of drawing, he incorporates aspects of traditional and contemporary painterly practices in both his teaching methods and mixed media art works.

Gordon is a recipient of multiple scholarships and awards, as well an artist fellowship from the state of Delaware.  He has taught drawing at many colleges, art centers, and museums including the Tacoma Art Museum and the Pennsylvania Academy of the Fine Arts. He is currently represented by Gallery Strega, where he also plays a supporting role in exhibition design and curation.

I am energized by the spirited exchange of expression and ideas. I am a metal worker, sculptor and installation artist. I have always worked with my hands; gardening, farming, fabricating. I took my first metal working class at Pratt Fine Art Center nearly 25 years ago and went on to get a certificate in Welding/Fabrication at South Seattle Community College specializing in non-ferrous metals and blacksmithing. 

I have been a metalworker in various industrial and artistic capacities ever since: I ran public art programs in SE Seattle high school and middle schools, as well as worked alongside established artists and builders. I have recently returned to Pratt teaching forging and welding for adults, families and and teens. I also teach at Burkehead Art Center and Coyote Central.  I maintain a shop/art practice on our family farm amongst the goats in Woodinville, Wa. 

J. Gordon brings over two decades of experience as an artist, educator, and curator, to his classrooms.  Gordon earned his BFA and MFA in painting from the University of Kansas and the Pennsylvania Academy of the Fine Arts respectively. While his current professional practice centers primarily around the medium of drawing, he incorporates aspects of traditional and contemporary painterly practices in both his teaching methods and mixed media art works.

Gordon is a recipient of multiple scholarships and awards, as well an artist fellowship from the state of Delaware.  He has taught drawing at many colleges, art centers, and museums including the Tacoma Art Museum and the Pennsylvania Academy of the Fine Arts. He is currently represented by Gallery Strega, where he also plays a supporting role in exhibition design and curation.

I am energized by the spirited exchange of expression and ideas. I am a metal worker, sculptor and installation artist. I have always worked with my hands; gardening, farming, fabricating. I took my first metal working class at Pratt Fine Art Center nearly 25 years ago and went on to get a certificate in Welding/Fabrication at South Seattle Community College specializing in non-ferrous metals and blacksmithing. 

I have been a metalworker in various industrial and artistic capacities ever since: I ran public art programs in SE Seattle high school and middle schools, as well as worked alongside established artists and builders. I have recently returned to Pratt teaching forging and welding for adults, families and and teens. I also teach at Burkehead Art Center and Coyote Central.  I maintain a shop/art practice on our family farm amongst the goats in Woodinville, Wa. 

Alia Swersky is a movement artist, performer and educator deeply engaged in dance improvisation, durational time-based art, film, site-specific work, and environmental installation. She is an artist and an educator with degrees from Cornish College of the Arts and an MFA in dance from the University of Washington.

Her artistic path over the last two decades has been shaped by this yearning for deep and meaningful connections with people and places. As a co-creator, ritual maker, and a “horizontal” director, Alia seeks to touch others through dance, somatic presence, vulnerability, and fierceness. Her work ranges from full audience participation to intimate acts of One-to-One performances, site-specific dances for film and live performance, as well as durational time-based art that includes physical acts of endurance, repetition, stillness, subtlety, singing, soft energetic grace, abstraction, caricature, and a deconstruction of clichés such as extreme high femme expressions. Her teaching and art-making seek to create practices that embrace endurance on stage and in life as acts of resistance, resilience, release, and beauty. 

As a performer, Alia has also toured nationally and internationally as a member of the LeGendre Performance Group and has performed in the works with many Seattle artists, some of which include The Maureen Whiting Company, Khambatta Dance Company, Jurg Koch, KT Niehoff, and Salt Horse.

As an educator, she has taught at Cornish College of the Arts for sixteen years and in the Seattle community at Velocity’s Strictly Seattle Festival, and the Seattle Festival of Dance Improvisation (SFDI). She was a long time Co-artistic director of Dance Art Group (DAG), a non-profit organization that promotes the practice and appreciation of dance and somatic education in the Seattle area, including the Seattle Festival of Dance Improvisation.