Charles Sheaffer is a researcher and producer interested in the ever-changing relationship between globalization and cinematic storytelling. Sheaffer's creative activities include narrative filmmaking and video essay production. Sheaffer's scholarly writing has appeared in Postmodern Culture, and his current research explores classical tragedy and comedy as a means of mapping emergent developments in screen-based narrative. Sheaffer has taught at the University of Minnesota and the University of Washington and teaches courses in film history and production in the Cornish Film department. He lives in Seattle with his wife.

Geoffrey Alm has been teaching Stage Fighting at Cornish since 2008. A Certified Teacher with The Society of American Fight Directors since 1987, he is also a Certified Fight Director and Fight Master. Professionally he has been choreographing fights since 1988, locally and Nationally. He’s a proud member of Stage Directors and Choreographers, Actors Equity, and SAG-AFTRA.

Born and raised in Seattle, Nikki moved to California to attend college, receiving a BFA in Film Production in 2002 from Chapman University. For the next 6 years she worked various office jobs in the film industry while also earning a Masters Degree in Secondary Education. In 2006 Nikki decided to shift her career to Special Effects Make-Up working at Creature FX studios and from there segueing into the stop motion world, beginning in 2008 with Shadow Machine on the Adult Swim hit show, Robot Chicken: Season 3. Nikki has worked as a puppet fabricator, lead fabricator and department head on numbers stop motion television shows, commercials and films, helping create iconic stop motion characters for such shows/films as Happy Honda Days (Socal regional commercial campaign for the last 12 years), Ask the Story Bots, Buddy Thunderstruck, Anomolisa and Ted Lasso to name a few. In 2022, the next adventure brought Nikki back home to Seattle to be closer to family and to hang out her own shingle as Puppets Northwest, offering a one stop shop for puppets of all kinds, SFX, 3D modeling/printing and educational outreach of all of the above.
 

Born and raised in Seattle, Nikki moved to California to attend college, receiving a BFA in Film Production in 2002 from Chapman University. For the next 6 years she worked various office jobs in the film industry while also earning a Masters Degree in Secondary Education. In 2006 Nikki decided to shift her career to Special Effects Make-Up working at Creature FX studios and from there segueing into the stop motion world, beginning in 2008 with Shadow Machine on the Adult Swim hit show, Robot Chicken: Season 3. Nikki has worked as a puppet fabricator, lead fabricator and department head on numbers stop motion television shows, commercials and films, helping create iconic stop motion characters for such shows/films as Happy Honda Days (Socal regional commercial campaign for the last 12 years), Ask the Story Bots, Buddy Thunderstruck, Anomolisa and Ted Lasso to name a few. In 2022, the next adventure brought Nikki back home to Seattle to be closer to family and to hang out her own shingle as Puppets Northwest, offering a one stop shop for puppets of all kinds, SFX, 3D modeling/printing and educational outreach of all of the above.
 

Robynne Raye is a co-founder of the Seattle-based Modern Dog Design Co, an internationally acclaimed design and illustration studio that opened in 1987. Her client list includes Showtime, The New York Times, Coca-Cola, Nordstrom, HarperCollins, Warner Bros. Records, Hillary Clinton, and K2 Snowboards. Her posters have been exhibited internationally, and are collected in the archives of major libraries and museums worldwide, including the Library of Congress, Bibliothèque National de France, Museum Fur Kunst und Gewerbe, the Smithsonian Institute’s Cooper-Hewitt National Design Museum, Guan Shanyue Art Museum, and the Louvre’s Musee Des Arts Decoratifs, among others.

For over thirty years, Raye has lectured extensively about design issues and led workshops around the world. In 2013, Graphic Design USA Magazine listed her as one of the "50 Most Influential Designers Working Today.” She is the co-author of Modern Dog, 20 Years of Poster Art and Inside the World of Board Graphics: Skate, Surf, Snow, and author of 1000 Dog Portraits.

Jessica Jobaris is a Seattle-based choreographer whose dance-theatre works warp perception, guiding audiences to reconsider what is sacred and what is profane. In 2010, she launched Jessica Jobaris & General Magic, a dance-theatre company dedicated to nurturing artistic risk and community connection through dance. Jessica has taught nationally and internationally, receiving funding for her works from city, state, and corporate organizations. Jessical also holds a MA in Counseling Psychology (LMHCA) from The Seattle School of Theology & Psychology, and runs a private practice in Seattle.

Peter J. Vogt is a long time Seattle documentary filmmaker. He was the producer of Hype! the seminal film on the grunge music phenomenon. Hype!  was chosen for the Sundance Film Festival and won best documentary at SIFF. He directed Icons Among Us: Jazz In the Present Tense which won the American Film Institute's 20/20 Award. Other films include High&Outside, The Play, 38 Minutes, Up Thornton Creek, Nuts&Bolts- which was a winner of an audience award at SIFF. With Doug Pray he ran the Wildmind Film Camp from 2011-14. He's been a board member of the Northwest Film Forum since 2005, spending several years as board president. He's also a published poet and soon to be published novelist. 

J. Gordon brings over two decades of experience as an artist, educator, and curator, to his classrooms.  Gordon earned his BFA and MFA in painting from the University of Kansas and the Pennsylvania Academy of the Fine Arts respectively. While his current professional practice centers primarily around the medium of drawing, he incorporates aspects of traditional and contemporary painterly practices in both his teaching methods and mixed media art works.

Gordon is a recipient of multiple scholarships and awards, as well an artist fellowship from the state of Delaware.  He has taught drawing at many colleges, art centers, and museums including the Tacoma Art Museum and the Pennsylvania Academy of the Fine Arts. He is currently represented by Gallery Strega, where he also plays a supporting role in exhibition design and curation.

Daniel Goody has been working in the performing arts field since 2001 starting in the UK as a sound engineer. Presently working as the Head of Audio at the Playhouse in Seattle for Cornish College of the Arts, his work has spanned many disciplines over the years including audio, light and video design. His primary collaboration since 2015 has been with the Danish immersive theatre group Sisters Hope.
Following a decade in Sweden as the Technical Director at the culture house Inkonst Malmö, Daniel formed artistic partnerships with a number of performance, dance and theatre groups based throughout the Nordic and European regions. These collaborations, with groups such as; Institutet, White On White, Jon & Juli and Lucie Tuma explored the family, critical whiteness and the relationship to the body on a wholly radical level.

Maja Sereda is an environmental artist, teacher and coach. Born in Poland, Maja has dedicated her life to transcribing and sharing her experiences in nature. Working with pen, graphite, color pencils, charcoal and mixed media, her highly detailed drawings explore the myriad connections between human beings and the natural world. Her drawings have been shown throughout the US, Europe, and South Africa. 

After studying graphic design at University of Pretoria and working as an art director in advertising agencies, both in South Africa and Ireland, Maja became an award-winning book illustrator. She has illustrated more than 20 books with many major publishers including Penguin Random House, Maskew Miller Longman, Oskar Editeur, Tafelberg & Lapa Publishers. Amongst others, she won the Crystal Kite award in 2011 and the Katrine Harries Award for best illustration for 2010. In 2012, she was also invited to illustrate a book with a French author, Yves Pinguilly titled La Grande Fleur (The Big Flower), followed by an invitation to Salon du Livre fair in Paris, France and La Reunion, where she showcased her books and led art workshops for children. 

Now based in Seattle, Maja is a teaching artist and coach. With the outbreak of COVID, she began teaching drawing classes online. By investing deeply in her students’ work through highly individualized feedback, research and demonstrations, she nurtures an online community of over 250 artists. 

With a deep passion for nature, drawing and community, Maja operates Guardians of the Jungle, a creative project which aims to save endangered wildlife and protect precarious ecosystems.

From a young age, I've been captivated by light and its power to transform the world around me. At seven years old, I begged for a camera, eager to capture the magic of my small world through photography. This insatiable curiosity has fueled my journey as a visual storyteller, leading me across the globe to film and edit stories for brands worldwide. Through these experiences, I've grown as a person, and I remain just as curious and excited to explore new stories and mediums.
My artistic practice as A Box In The Sea extends into multimedia, print, and sound art. In my sound lab, I experiment with soundscapes and scores, translating them into visuals and rendering them into pen and ink. This process of creating and transforming sound into art is a continuous cycle of discovery, and it's a journey I feel lucky to be on.
 

From a young age, I've been captivated by light and its power to transform the world around me. At seven years old, I begged for a camera, eager to capture the magic of my small world through photography. This insatiable curiosity has fueled my journey as a visual storyteller, leading me across the globe to film and edit stories for brands worldwide. Through these experiences, I've grown as a person, and I remain just as curious and excited to explore new stories and mediums.
My artistic practice as A Box In The Sea extends into multimedia, print, and sound art. In my sound lab, I experiment with soundscapes and scores, translating them into visuals and rendering them into pen and ink. This process of creating and transforming sound into art is a continuous cycle of discovery, and it's a journey I feel lucky to be on.
 

From a young age, I've been captivated by light and its power to transform the world around me. At seven years old, I begged for a camera, eager to capture the magic of my small world through photography. This insatiable curiosity has fueled my journey as a visual storyteller, leading me across the globe to film and edit stories for brands worldwide. Through these experiences, I've grown as a person, and I remain just as curious and excited to explore new stories and mediums.
My artistic practice as A Box In The Sea extends into multimedia, print, and sound art. In my sound lab, I experiment with soundscapes and scores, translating them into visuals and rendering them into pen and ink. This process of creating and transforming sound into art is a continuous cycle of discovery, and it's a journey I feel lucky to be on.
 

From a young age, I've been captivated by light and its power to transform the world around me. At seven years old, I begged for a camera, eager to capture the magic of my small world through photography. This insatiable curiosity has fueled my journey as a visual storyteller, leading me across the globe to film and edit stories for brands worldwide. Through these experiences, I've grown as a person, and I remain just as curious and excited to explore new stories and mediums.
My artistic practice as A Box In The Sea extends into multimedia, print, and sound art. In my sound lab, I experiment with soundscapes and scores, translating them into visuals and rendering them into pen and ink. This process of creating and transforming sound into art is a continuous cycle of discovery, and it's a journey I feel lucky to be on.
 

Bradley Taylor is a Seattle based artist, and printmaker. He is currently working at Cornish College of the Arts as the Printmaking Studio Technician. Proficient in all forms of printmaking Bradley specializes in woodblock prints. His work has been shown in numerous galleries in the Seattle area. He has also work collaboratively with many notable Seattle Artists.

Bradley Taylor is a Seattle based artist, and printmaker. He is currently working at Cornish College of the Arts as the Printmaking Studio Technician. Proficient in all forms of printmaking Bradley specializes in woodblock prints. His work has been shown in numerous galleries in the Seattle area. He has also work collaboratively with many notable Seattle Artists.