Maja Sereda is an environmental artist, teacher and coach. Born in Poland, Maja has dedicated her life to transcribing and sharing her experiences in nature. Working with pen, graphite, color pencils, charcoal and mixed media, her highly detailed drawings explore the myriad connections between human beings and the natural world. Her drawings have been shown throughout the US, Europe, and South Africa. 

After studying graphic design at University of Pretoria and working as an art director in advertising agencies, both in South Africa and Ireland, Maja became an award-winning book illustrator. She has illustrated more than 20 books with many major publishers including Penguin Random House, Maskew Miller Longman, Oskar Editeur, Tafelberg & Lapa Publishers. Amongst others, she won the Crystal Kite award in 2011 and the Katrine Harries Award for best illustration for 2010. In 2012, she was also invited to illustrate a book with a French author, Yves Pinguilly titled La Grande Fleur (The Big Flower), followed by an invitation to Salon du Livre fair in Paris, France and La Reunion, where she showcased her books and led art workshops for children. 

Now based in Seattle, Maja is a teaching artist and coach. With the outbreak of COVID, she began teaching drawing classes online. By investing deeply in her students’ work through highly individualized feedback, research and demonstrations, she nurtures an online community of over 250 artists. 

With a deep passion for nature, drawing and community, Maja operates Guardians of the Jungle, a creative project which aims to save endangered wildlife and protect precarious ecosystems.

Matt Sircely is a songwriter and multi-instrumentalist living in Port Townsend. He has provided adjunct mandolin instruction at Cornish also teaching annually at workshops and classes over the years in places like Washington, Idaho, British Colombia and Louisiana, and the Mandolin Symposium in California. Over the years, Matt has introduced hundreds of mandolin students to their first swing tunes on mandolin. A founding member of the string swing ensemble Hot Club Sandwich, Matt appears on the most recent Hot Club Sandwich album alongside mandolin master David Grisman on half of the tracks.

As an instrumentalist, Matt Sircely has performed extensively in a breadth of stylistic contexts such as folk, blues, Tejano roots music, klezmer and other Jewish music, country bands and bluegrass outfits, everything from the old-time square dance community to the Seattle jazz scene. His musical interests extend to the many folk styles from around the world. Most recently, he has been cultivating a deep passion for fiddle tunes related to his ancestral roots in Southwestern Pennsylvania.

In 2008, Sircely co-founded a roots fusion band with a Cornish student at the time, the late great Joseph Mascorella on drums and vocals. Together, they worked for years striving to reach new heights in composition and improvisation. Matt has also performed in duo format with many artists, including songwriter and multi-instrumentalist Danny Barnes, who also produced his first album of all original songs. Sircely and Barnes also released an album recorded live in California which included several of Matt’s own songs.

As a music writer on assignment for the Fretboard Journal and other music magazines, Sircely has researched and written articles about legendary artists including Andy Statman, Wade Mainer, Juan Reynoso, Radim Zenkl, Hamilton de Holanda, Lee Stripling, Calvin Vollrath, Buell Neidlinger, Danny Barnes, and the founding of the David Grisman Quintet.

At his home on the Olympic Peninsula, Matt Sircely is always writing songs and producing new recordings. He enjoys spending time in his vegetable garden and programming the music lineups at his local farmers markets.

Soo Hong is a visual artist whose work explores issues surrounding cultural identity. Having lived and exhibited in places around the world, including, London, Shanghai, her native South Korea, and now the U.S., her experience of varying cultural norms and expectations has precipitated her observational practice. Her paintings represent an unbound freedom of expression released of any formal adherence to a determined identity.

Her work has been shown in galleries around the world, and she has been awarded grants from D&AD (London), GAP (Seattle), Bellevue Arts Program (Bellevue) and was a finalist for the Neddy Awards (Seattle). She had her solo shows in Seattle at Linda Hodges Gallery and AMcE Creative Arts gallery. Her work is part of the permanent collections at the Seattle-Tacoma International Airport, the city of Bellevue, and the city of Portland. She created public art installations for Redmond Lights, Odessa Children's Hospital (Seattle), and The Vera Project (Seattle).

Jessica Jobaris is a Seattle-based choreographer whose dance-theatre works warp perception, guiding audiences to reconsider what is sacred and what is profane. In 2010, she launched Jessica Jobaris & General Magic, a dance-theatre company dedicated to nurturing artistic risk and community connection through dance. Jessica has taught nationally and internationally, receiving funding for her works from city, state, and corporate organizations. Jessical also holds a MA in Counseling Psychology (LMHCA) from The Seattle School of Theology & Psychology, and runs a private practice in Seattle.

Nicole is an actor, singer, dancer, choreographer, teacher, visual artist, wife to Josh and mother to Max and Huxley. Nicole has lived and worked on both coasts, loves to create, garden, and do construction! On screen, Nicole has been seen in Nike, LG, and T-Mobile commercials. On stage in Adrift (Sam French Festival), Big Effing Deal! (Duet with Reggie Watts), Cabaret (Gregory Award Nominee), Mary Poppins, Annie, Bye Bye Birdie, How to Succeed, Once Upon A Time in New Jersey and many Village Originals (Village Theatre), The Constant Wife (Seattle Rep), Cabaret (5th Ave, AMTSJ, Ordway Center), Wonderful Town (5th Ave), Ming the Rude (Empty Space), Elephant and Piggie, Fire Station 7, Sleeping Beauty (SCT), Tapestry (Oregon Cabaret Theatre), and many more. As a choreographer and dancer Nicole had the honor of working with Sonya Tayeh and the Oregon Shakespeare Festival with running the dance call for the original production of Head Over Heals. In New York, Nicole’s work has been seen at the HERE Center, Ensemble Studio Theatre, Clubbed Thumb, Astoria Performing Arts, The Management and Acting Manitou. In Seattle, at KIDSTAGE, Cornish, Oregon Cabaret Theatre, The Triple Door, Café Nordo, Seattle Children’s Theatre, Fantastic Z, and Art Institute of Seattle. Nicole is currently teaching at Cornish College of the Arts, Seattle Film institute, and Westlake Dance Center. She has also taught at UW, Art Institute of Seattle, Hunter College High School, VAM Studios, 5th Avenue, Century Ballroom, McCarter Theatre Company, Jersey City Dance Academy, and The Studios. Nicole holds a BFA from Cornish College of the Arts, is a certified Simonson Technique teacher and a member of Actors’ Equity.

Sophia Franzella is a teaching artist and professional actor working in the Seattle area. After 11 years of classical ballet training, she decided to transition into the world of Theatre at the age of 14. After falling in love with Theatre in high school, Sophia earned her BFA in Theatre Arts from St. Edward’s University in Austin, Texas in 2013. She is also a 2014 graduate of A Working Group (a Meisner-technique acting program). Sophia has taught acting and dance throughout Seattle over the past 10 years (Lakeside Middle School, Village Theatre KIDSTAGE, Sing Out Seattle, STG, Mode Music, Coyote, 5th Avenue Theatre, Seattle Rep, Taproot Theatre). Sophia also offers private lessons for audition preparation! When she is not teaching, Sophia works as a professional actor in Seattle. She is a co-founder and company member of the theatre lab Filament: A Collab Lab for which she often choreographs and directs. She is also a Pony World Theatre company member. Sophia also enjoys hiking with friends, reading, watching spooky movies, and learning new subjects!

Matt Sircely is a songwriter and multi-instrumentalist living in Port Townsend. He has provided adjunct mandolin instruction at Cornish also teaching annually at workshops and classes over the years in places like Washington, Idaho, British Colombia and Louisiana, and the Mandolin Symposium in California. Over the years, Matt has introduced hundreds of mandolin students to their first swing tunes on mandolin. A founding member of the string swing ensemble Hot Club Sandwich, Matt appears on the most recent Hot Club Sandwich album alongside mandolin master David Grisman on half of the tracks.

As an instrumentalist, Matt Sircely has performed extensively in a breadth of stylistic contexts such as folk, blues, Tejano roots music, klezmer and other Jewish music, country bands and bluegrass outfits, everything from the old-time square dance community to the Seattle jazz scene. His musical interests extend to the many folk styles from around the world. Most recently, he has been cultivating a deep passion for fiddle tunes related to his ancestral roots in Southwestern Pennsylvania.

In 2008, Sircely co-founded a roots fusion band with a Cornish student at the time, the late great Joseph Mascorella on drums and vocals. Together, they worked for years striving to reach new heights in composition and improvisation. Matt has also performed in duo format with many artists, including songwriter and multi-instrumentalist Danny Barnes, who also produced his first album of all original songs. Sircely and Barnes also released an album recorded live in California which included several of Matt’s own songs.

As a music writer on assignment for the Fretboard Journal and other music magazines, Sircely has researched and written articles about legendary artists including Andy Statman, Wade Mainer, Juan Reynoso, Radim Zenkl, Hamilton de Holanda, Lee Stripling, Calvin Vollrath, Buell Neidlinger, Danny Barnes, and the founding of the David Grisman Quintet.

At his home on the Olympic Peninsula, Matt Sircely is always writing songs and producing new recordings. He enjoys spending time in his vegetable garden and programming the music lineups at his local farmers markets.

Sarah Comer grew up learning from generations of old time fiddlers here in the Pacific Northwest, and for 22 years has delighted in passing that unique flavor of Northwest fiddling —where southern style hoedowns are played beside Canadian reels, Irish jigs, and Scandinavian waltzes—on to her students. This melting pot music and its connection to traditional folk dancing inspired her to start a community dance band class in 2014, where folks could experience the music in its natural habitat. 11 years later, the class is still going strong and has grown to include a second band (The Raccoon Carnival) known around the Seattle contra dance circuit for their wild arrangements and multipart harmonies.  Outside of teaching, Sarah has performed music of the 1800s for living history museums (including the Job Carr Cabin and Fort Nisqually), serves on the board of the Seattle Folklore Society, and is the Fiddle Community Coordinator for Northwest Folklife.

Winifred Westergard is a Seattle based fine art and commercial photographer with degrees from the University of Washington and Cornish College of the Arts in Creative Writing, Journalism and Art. Her art making foundation is rooted in the early processes of photography, fully embracing the slow processes of 19th century photography. She is a visual creator with a strong base on human emotion and storytelling. She has managed the photography studio at Cornish College of the Arts since 1999 and has taught Photography and Portfolio Development through Summer@Cornish since 2003.

Meg McLynn is an actor, vocalist, and teaching artist who has been seen on stages and screens throughout North America. Meg loves to share her passion for performance with students of all ages, and it is her belief that the work we do in “the studio” is applicable to all aspects of our everyday lives. 

Having studied for 7 years under renowned voice teacher, Kristin Linklater, Meg now works with students to help them take ownership of their wonderfully unique voices. She teaches Voice and Speech at Cornish College of the Arts, and she serves as a vocal coach with Jack Straw Studios. She has assisted with voice training at Columbia Business School and World Leaders Forum in New York City. Meg also teaches Voice and Acting classes at Freehold Theatre Lab and Mighty Tripod Studios in Seattle. 

Meg is a member of the Seattle-based vocal trio, Blue Plate Special, and has been an Anthem Singer for the Seattle Seahawks. As a concert soloist, she performed the songbooks of Patsy Cline, Judy Garland, and Carly Simon with Purple Phoenix Productions. Local acting credits include roles with Seattle Shakespeare Company, Book-It Rep, Seattle Symphony, ArtsWest, Seattle Opera, Seattle Public Theatre, Washington Ensemble Theatre, Theatre22, Harlequin Productions, and 14/48: TWQTF, as well as the feature films “Different Drummers”, “7 Minutes”, and “Colton”. You can see her in the series, “The Girl in the Woods” streaming on NBC/Peacock.

Meg McLynn is an actor, vocalist, and teaching artist who has been seen on stages and screens throughout North America. Meg loves to share her passion for performance with students of all ages, and it is her belief that the work we do in “the studio” is applicable to all aspects of our everyday lives. 

Having studied for 7 years under renowned voice teacher, Kristin Linklater, Meg now works with students to help them take ownership of their wonderfully unique voices. She teaches Voice and Speech at Cornish College of the Arts, and she serves as a vocal coach with Jack Straw Studios. She has assisted with voice training at Columbia Business School and World Leaders Forum in New York City. Meg also teaches Voice and Acting classes at Freehold Theatre Lab and Mighty Tripod Studios in Seattle. 

Meg is a member of the Seattle-based vocal trio, Blue Plate Special, and has been an Anthem Singer for the Seattle Seahawks. As a concert soloist, she performed the songbooks of Patsy Cline, Judy Garland, and Carly Simon with Purple Phoenix Productions. Local acting credits include roles with Seattle Shakespeare Company, Book-It Rep, Seattle Symphony, ArtsWest, Seattle Opera, Seattle Public Theatre, Washington Ensemble Theatre, Theatre22, Harlequin Productions, and 14/48: TWQTF, as well as the feature films “Different Drummers”, “7 Minutes”, and “Colton”. You can see her in the series, “The Girl in the Woods” streaming on NBC/Peacock.

Dan D. Shafer is a graphic designer, artist, and educator living and working in Seattle. He owns Dandy Co., a graphic design studio specializing in book design, installation, and environmental design (as well as event promotion and branding). The studio's clients include Kronos Quartet, American Cancer Society, Salish Lodge, Herman Miller, and Pratt Fine Arts Center.

Shafer is also the creative director at Chin Music Press. His self-initiated social practice installations explore the nebulous territory that exists between traditional definitions of "art" and "design," and investigate how people interact with objects in their everyday lives.

J. Gordon brings over two decades of experience as an artist, educator, and curator, to his classrooms.  Gordon earned his BFA and MFA in painting from the University of Kansas and the Pennsylvania Academy of the Fine Arts respectively. While his current professional practice centers primarily around the medium of drawing, he incorporates aspects of traditional and contemporary painterly practices in both his teaching methods and mixed media art works.

Gordon is a recipient of multiple scholarships and awards, as well an artist fellowship from the state of Delaware.  He has taught drawing at many colleges, art centers, and museums including the Tacoma Art Museum and the Pennsylvania Academy of the Fine Arts. He is currently represented by Gallery Strega, where he also plays a supporting role in exhibition design and curation.

Ellen Forney is the author of the bestselling graphic memoir, Marbles: Mania, Depression, Michelangelo, & Me, and its companion book, Rock Steady: Brilliant Advice From My Bipolar Life. Marbles has been translated into six foreign languages and was the selection for common book programs at the University of Washington Health Sciences schools and UC Davis. She curated an exhibition for the National Library of Medicine on Graphic Medicine, comics about health, and has given talks and lectures internationally at universities, conferences, and institutions, including a recent TED talk. As a visual artist, she created two large-scale murals for Seattle’s Capitol Hill light rail station. She has taught comics at Cornish College of the Arts since 2002 and is currently working on a middle-grade book on making autobiographical comics.

A freelance flutist, artist, improviser, and composer in the Seattle area, Leanna Keith delights in creating sound experiences that make audiences laugh, cry, and say: “I didn’t know the flute could do that!”  She also teaches as the flute professor at Cornish College of the Arts. Her performance artworks have focused on cultural connection and the breaking of audience/performer boundaries. In 2021 she released her first solo album, TAROT Album, which she composed, performed, recorded, and mixed. The album release show premiered online, featuring collaborations between choreographers, digital media artists, stop motion artists, puppetry, and more.

Leanna is currently a co-director of the chamber music ensemble Kin of the Moon, with violist/improviser Heather Bentley and composer/vocalist Kaley Lane Eaton. Kin of the Moon is an improvisation-centric, technology-friendly chamber music series incubated in Seattle's rich musical scene. The series explores sonic rituals, promotes cross-pollination of genres, emphasizes the communicative power of specific performance locales, and celebrates the creativity that multiplies itself through the collaboration of performers and composers.

Jenna was born and raised in Ann Arbor, Michigan. As a child she was a competitive swimmer, equestrian, and soccer player. At age eight, she began dancing in her elementary school lunchtime hip hop club. The following year she enrolled in Dexter School of Dance Music & The Performing Arts. There she trained in jazz, ballet, tap, modern, musical theater, lyrical and was part of the competition company. In her teens, she began training at Studio 1 in Ann Arbor and joined the Dance Ensemble of Michigan, under the direction of TeDee A. Theofil. She also danced for the Pioneer High School Varsity Dance Team for four years and was captain for two.

Jenna attended the University of Michigan and received a Movement Science BS from the School of Kinesiology. She was a member of Cornrows Dance Company at the university and danced for companies off campus including Movement Artists’ Guild, People Dancing and AuxWerks Dance. She began teaching dance technique classes and coaching the Pioneer High School JV Dance Team. She also competed with the Dance UL Intervarsity Team while studying abroad at the University of Limerick. After returning from Ireland, Jenna became interested in the circus arts and trained on a variety of aerial apparatuses.

Following graduation, Jenna attended Goldsmiths, University of London, where she received a Dance Movement Psychotherapy MA. Her first year of clinical placement was in a primary school and the second was in a community mental health charity. In addition to academic movement investigation, Jenna studied with numerous movement artists around London, and continued her aerial training at The National Centre For Circus Arts. Afterward, she relocated for two years to Doolin, Ireland, where she taught full time for Broadway Dance and choreographed for the competition team.

Jenna returned to Michigan for two years, where she continued teaching dance technique classes and coached the Skyline High School Varsity Dance Team. She was a teaching artist for the University of Michigan Musical Society and a teaching associate for the University of Michigan Medical School. Jenna joined Youth Arts Alliance and began offering dance workshops and curating performance opportunities for youth in the justice system. She collaborated with the Wayne State University Stress, Trauma and Anxiety Research Clinic to study somatic interventions for addressing trauma in Syrian refugee youth. During this time, she received in depth Humphrey Technique training from Jillian Hopper and performed with Jillian Hopper Dance. She also met her creative collaborator and husband, Brett Campione. Their first performance together was at the Shape//Matter Movement Showcase.

Brett and Jenna moved to Seattle, where they are happily located today. Jenna began dance technique instruction in the area for the Cornish Preparatory Dance Program. She then transitioned to Bellevue College in 2021, where she is an adjunct professor of dance and choreographs for the drama department. She directed the Bellevue College Dance Company through 2024. In 2020, Jenna enrolled in the Seattle Level 1 Franklin Method® Educator Training and became dedicated to the practice. Currently, she is a licensed Level 3 Franklin Method® Educator and a Registered Somatic Movement Educator and Therapist (RSME/T) through the International Somatic Movement Education and Therapy Association (ISMETA). Jenna is an avid somatics researcher. Her interest in anatomy has led her to participate in multiple Dissection and Embodiment Experiences with EmbodyU at the Institute for Anatomical Research. Her personal movement practices include gyrokinesis, authentic movement and yoga. She loves traveling, cooking and comedy.

Sage is a multi-disciplined designer and educator based in the Greater Seattle Area. Throughout her career Sage has worked in a variety of roles including as an independent contractor and an in-house designer. Her projects span print and web for a wide range of clientele; from locally owned clinics to internationally recognized audio dealers. No matter what the project is, Sage’s work is guided by principles of user-centered design, a commitment to accessibility, and a passion for creating. She considers herself a lifelong student and continually strives to learn new skills and refine her craft. 

Diana Trotter (she/her) is a Seattle-based actor, director, educator and coach. Locally she has performed with Taproot Theatre Co, Annex Theatre, Center Stage, Second Story Rep, Thalia’s Umbrella, UW Theatre, and Fern Shakespeare. She has also been seen on stages in Texas, Illinois, Montana, California, Oregon and Idaho. Favorite roles include Mrs. Bennett in Pride & Prejudice, Roz in 9 to 5, Mae Peterson in Bye Bye Birdie, Vivian Bearing in Wit, and Leonato in Much Ado About Nothing (twice!). Recent directing projects include Into the Woods (Icicle Creek Center for the Arts), Camelot, and Christopher Durang’s Vanya, Sonia, Masha and Spike (Contra Costa Theatre) and Steven Dietz’s Last of the Boys (The Modern, Spokane). Diana specializes in audition preparation and has taught auditioning master classes for the University of Washington, Seattle Youth Opera, and Viva Vocalists where she is also the acting coach for their musical theatre training program. Diana holds a PhD from UC Berkeley and is the former head of the acting program at Whitworth University in Spokane.