Brian is a musician who has worked with Jonny Copeland, Bobby Radcliffe, Bunny Domino and others.  He was a founding member of BBQ Bob and the Spare Ribs and produced their first recording.  He came to woodworking by experimenting with a more ergonomic design for basses to alleviate periodic bouts of tendonitis.  

He learned the basics of woodworking from master carpenter Joe Guida (Guida Woodworks, Flagstaff, AZ,) during the course of building his first prototype.  Since then, he improved his skill by trial and error and getting advice from the master wood workers at IsGood WoodWorks and Ballard Woodworking.  In 2020, he started Miller Basses and produces about three uniquely designed basses each year.  

Daniel Goody has been working in the performing arts field since 2001 starting in the UK as a sound engineer. Presently working as the Head of Audio at the Playhouse in Seattle for Cornish College of the Arts, his work has spanned many disciplines over the years including audio, light and video design. His primary collaboration since 2015 has been with the Danish immersive theatre group Sisters Hope.
Following a decade in Sweden as the Technical Director at the culture house Inkonst Malmö, Daniel formed artistic partnerships with a number of performance, dance and theatre groups based throughout the Nordic and European regions. These collaborations, with groups such as; Institutet, White On White, Jon & Juli and Lucie Tuma explored the family, critical whiteness and the relationship to the body on a wholly radical level.

Seattle fiddler Ruthie Dornfeld’s vibrant, expressive playing is voiced in a wide range of traditional fiddle styles, from Celtic, American Old-Time, and French Canadian, Scandinavian, and Eastern European. She has performed and taught widely throughout the US, Europe, and South America. During her 15 year sojourn in New England, Ruthie studied at Berklee College of Music, was a member of the twin fiddle stringband The Poodles, the bluegrass band Boston City Limits, the Hungarian band The Pulis, was a mainstay on the contra dance circuit, and toured Europe with tapdancer Ira Bernstein and with the Copenhagen-based American Cafe Orchestra. Since returning to the Pacific Northwest in 1996, she has been a member of the French cabaret group Rouge, performs with guitar master John Miller, with the quintet Tangoheart, and for local contra and English dancing.

Barry is a sound engineer with a demonstrated history of working in the music industry with expertise in mixing, podcasting and concert hall acoustic engineering.. He is also an arranger, podcaster and composer. Barry has a Bachelor's degree focused in Music Theory and Composition from Cornish College of the Arts.

Eli West is an American Roots musician from the Pacific Northwest. A multi-instrumental creator of sonic spaces, Eli’s former training as a designer informs a sound that is lush and organic – neither manicured nor overgrown. Evergreen timbres weave among pitches, rhythms and lyrics to become comfortable rooms into which listeners are invited.
Lauded by Tim O’brien as a musician “making music the World needs,” Eli’s reputation as a crafter of considered, toneful environments has fostered collaborations with Bill Frisell, Andrew Marlin, John Reishchman, Julie Fowlis, and many other pillars of the growing Americana movement.

“Making music the world needs.” – Tim O’Brien