Daniel Goody has been working in the performing arts field since 2001 starting in the UK as a sound engineer. Presently working as the Head of Audio at the Playhouse in Seattle for Cornish College of the Arts, his work has spanned many disciplines over the years including audio, light and video design. His primary collaboration since 2015 has been with the Danish immersive theatre group Sisters Hope.
Following a decade in Sweden as the Technical Director at the culture house Inkonst Malmö, Daniel formed artistic partnerships with a number of performance, dance and theatre groups based throughout the Nordic and European regions. These collaborations, with groups such as; Institutet, White On White, Jon & Juli and Lucie Tuma explored the family, critical whiteness and the relationship to the body on a wholly radical level.

A freelance flutist, artist, improviser, and composer in the Seattle area, Leanna Keith delights in creating sound experiences that make audiences laugh, cry, and say: “I didn’t know the flute could do that!”  She also teaches as the flute professor at Cornish College of the Arts. Her performance artworks have focused on cultural connection and the breaking of audience/performer boundaries. In 2021 she released her first solo album, TAROT Album, which she composed, performed, recorded, and mixed. The album release show premiered online, featuring collaborations between choreographers, digital media artists, stop motion artists, puppetry, and more.

Leanna is currently a co-director of the chamber music ensemble Kin of the Moon, with violist/improviser Heather Bentley and composer/vocalist Kaley Lane Eaton. Kin of the Moon is an improvisation-centric, technology-friendly chamber music series incubated in Seattle's rich musical scene. The series explores sonic rituals, promotes cross-pollination of genres, emphasizes the communicative power of specific performance locales, and celebrates the creativity that multiplies itself through the collaboration of performers and composers.

Daniel Goody has been working in the performing arts field since 2001 starting in the UK as a sound engineer. Presently working as the Head of Audio at the Playhouse in Seattle for Cornish College of the Arts, his work has spanned many disciplines over the years including audio, light and video design. His primary collaboration since 2015 has been with the Danish immersive theatre group Sisters Hope.
Following a decade in Sweden as the Technical Director at the culture house Inkonst Malmö, Daniel formed artistic partnerships with a number of performance, dance and theatre groups based throughout the Nordic and European regions. These collaborations, with groups such as; Institutet, White On White, Jon & Juli and Lucie Tuma explored the family, critical whiteness and the relationship to the body on a wholly radical level.

David Taylor Gomes (he/they) is a composer, music director, and actor, best known for writing Boxed Up: The Musical and Ranked, featured in the HBO Documentary “My So-Called High School Rank”. David was selected as a semi-finalist in the 2023 Eugene O’Neill National Music Theatre Conference for his new musical in development The Way. David also co-founded UproarTheatrics.com, a theatrical licensing company. In Seattle David has worked with Village Theatre, The 5th Avenue Theatre, Taproot Theatre, Showtunes, Artswest, and Seattle Children's Theatre. He has also performed at Sacramento Theatre Company, Capital Stage, and the iconic Birdland Jazz Club in NYC. In addition to performing, David coaches singers, songwriters, and pianists at his music studio in Seattle. His students have performed on Broadway, national tours, The Disney Channel, and many regional theatres across the US.

Travis Palmer is a songwriter, arranger, jazz pianist, and music educator whose passion lies in helping his students learn and apply new musical vocabulary, with an emphasis of learning how to shape the concepts to come across in the student’s own voice. Travis has a wide range of interests and experience in various musical styles such as singer/songwriter, salsa, jazz, free music, traditional jazz, and classical music. Travis’ current musical projects include; serving as the board president for the 501(c)(3) non-profit Songwriters in Seattle, playing tenor banjo in and directing the 1920’s-1950’s style jazz band The Emerald Street Ragtime Band, and leading, composing and arranging for the all-originals band The Palmer Group.

A freelance flutist, artist, improviser, and composer in the Seattle area, Leanna Keith delights in creating sound experiences that make audiences laugh, cry, and say: “I didn’t know the flute could do that!”  She also teaches as the flute professor at Cornish College of the Arts. Her performance artworks have focused on cultural connection and the breaking of audience/performer boundaries. In 2021 she released her first solo album, TAROT Album, which she composed, performed, recorded, and mixed. The album release show premiered online, featuring collaborations between choreographers, digital media artists, stop motion artists, puppetry, and more.

Leanna is currently a co-director of the chamber music ensemble Kin of the Moon, with violist/improviser Heather Bentley and composer/vocalist Kaley Lane Eaton. Kin of the Moon is an improvisation-centric, technology-friendly chamber music series incubated in Seattle's rich musical scene. The series explores sonic rituals, promotes cross-pollination of genres, emphasizes the communicative power of specific performance locales, and celebrates the creativity that multiplies itself through the collaboration of performers and composers.

Barry is a sound engineer with a demonstrated history of working in the music industry with expertise in mixing, podcasting and concert hall acoustic engineering.. He is also an arranger, podcaster and composer. Barry has a Bachelor's degree focused in Music Theory and Composition from Cornish College of the Arts.

Eli West is an American Roots musician from the Pacific Northwest. A multi-instrumental creator of sonic spaces, Eli’s former training as a designer informs a sound that is lush and organic – neither manicured nor overgrown. Evergreen timbres weave among pitches, rhythms and lyrics to become comfortable rooms into which listeners are invited.
Lauded by Tim O’brien as a musician “making music the World needs,” Eli’s reputation as a crafter of considered, toneful environments has fostered collaborations with Bill Frisell, Andrew Marlin, John Reishchman, Julie Fowlis, and many other pillars of the growing Americana movement.

“Making music the world needs.” – Tim O’Brien

Claire Marx currently teaches ensemble singing, cabaret, and private voice at Cornish. She has also music directed Cornish productions of Chicago, Secret in the Wings, Xanadu, and James and the Giant Peach. She has also worked as assistant choreographer/director for Sister Act and Singing in the Rain. She and Rich will be teaming up to work on The Theory of Relativity this fall. She has also taught at Village Theatre, The Evergreen School, Redmond Academy, The Meridian School, and many locations with Seattle Public Schools. Recent local stage credits include: Hairspray at Village Theatre, The Lion, the Witch and the Wardrobe at Seattle Children's Theatre, The Bishop's Wife at Taproot Theatre Co., The Odyssey educational tour with Book-It, Romeo and Juliet with Seattle Shakespeare, and a handful of new musical workshops at the Seattle Rep.

Rico is a Florida native who recently relocated to Seattle where he was featured in Newsies as Racetrack at Village Theatre and has also been seen in The Pajama Game (Centerstage), Jesus Christ Superstar (Tacoma Little Theatre), Tarzan (Kitsap Forest Theater), Big Fish (Bainbridge Performing Arts), and The Toxic Avenger (Burien Actors Theatre). Before the move, Rico co-hosted SeaWorld Kid’s Generation Nature LIVE with Bindi Irwin, understudied productions at Orlando Shakes including Peter and the Starcatcher, and was a stilt-walker at Walt Disney World. He is a tap instructor, choreographer, teaching artist, and musician. BFA – University of Central Florida. 

Brian is a musician who has worked with Jonny Copeland, Bobby Radcliffe, Bunny Domino and others.  He was a founding member of BBQ Bob and the Spare Ribs and produced their first recording.  He came to woodworking by experimenting with a more ergonomic design for basses to alleviate periodic bouts of tendonitis.  

He learned the basics of woodworking from master carpenter Joe Guida (Guida Woodworks, Flagstaff, AZ,) during the course of building his first prototype.  Since then, he improved his skill by trial and error and getting advice from the master wood workers at IsGood WoodWorks and Ballard Woodworking.  In 2020, he started Miller Basses and produces about three uniquely designed basses each year.  

Seattle fiddler Ruthie Dornfeld’s vibrant, expressive playing is voiced in a wide range of traditional fiddle styles, from Celtic, American Old-Time, and French Canadian, Scandinavian, and Eastern European. She has performed and taught widely throughout the US, Europe, and South America. During her 15 year sojourn in New England, Ruthie studied at Berklee College of Music, was a member of the twin fiddle stringband The Poodles, the bluegrass band Boston City Limits, the Hungarian band The Pulis, was a mainstay on the contra dance circuit, and toured Europe with tapdancer Ira Bernstein and with the Copenhagen-based American Cafe Orchestra. Since returning to the Pacific Northwest in 1996, she has been a member of the French cabaret group Rouge, performs with guitar master John Miller, with the quintet Tangoheart, and for local contra and English dancing.