Theatrical Swordplay
Geof Alm
Geoffrey Alm has been teaching Stage Fighting at Cornish since 2008. A Certified Teacher with The Society of American Fight Directors since 1987, he is also a Certified Fight Director and Fight Master. Professionally he has been choreographing fights since 1988, locally and Nationally. He’s a proud member of Stage Directors and Choreographers, Actors Equity, and SAG-AFTRA.
About the Course
Embark on a thrilling adventure with Theatrical Swordplay! Immerse yourself in the "Swashbuckling" style, reminiscent of Hollywood's golden age. Master the basics and concepts of Single Sword techniques as you bring the excitement of the silver screen to life. Unleash your inner hero or villain in this action-packed class!
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Live Sound Engineering
Daniel Goody
Daniel Goody has been working in the performing arts field since 2001 starting in the UK as a sound engineer. Presently working as the Head of Audio at the Playhouse in Seattle for Cornish College of the Arts, his work has spanned many disciplines over the years including audio, light and video design. His primary collaboration since 2015 has been with the Danish immersive theatre group Sisters Hope.
Following a decade in Sweden as the Technical Director at the culture house Inkonst Malmö, Daniel formed artistic partnerships with a number of performance, dance and theatre groups based throughout the Nordic and European regions. These collaborations, with groups such as; Institutet, White On White, Jon & Juli and Lucie Tuma explored the family, critical whiteness and the relationship to the body on a wholly radical level.
Learn the fundamentals for live sound engineering to create a finished product for an artist's live audio performance needs. You will learn the principles and technical aspects of the world of sound recording by diving deep into PA setup, mixing consoles, dynamic, spectral and modulating effects.
Piano Lab
A course designed for those wishing to continue their piano development as well as beginning learners. Learn music appropriate to your skill level while creating a foundational understanding of music theory through the study of chords, harmonic progressions and scales. Students will develop proficiency in note reading as well as learning by ear.
Theatrical Intimacy Best Practices
Ian Bond
Ian specializes in telling stories. On the stage, he brings years of determined training at Davidson College and the Cincinnati Shakespeare Company to his characters. As a fight and intimacy director, he thoughtfully communicates with other artists to ensure safe, collaborative, and exciting movement in a story. As a Game Master, he combines a strong sense of play with deep roots in fantasy lore to nurture group story telling. As an educator, Ian empathically centers the students experience in the course of learning. But of course, these skills all combine in this human: Ian. And it is this unique human who brings his whole self to every project.
Whether it’s a handshake, an embrace, or a kiss, nearly every play has a moment of intimacy. And just like dancing or fighting on stage, there are tools that can be used to navigate those moments with respect and care. Come learn theatrical intimacy best practices used in theater to create safer spaces and more exciting stories.This three-hour
Consent & Intimacy for Stage & Screen
Ian Bond
Ian specializes in telling stories. On the stage, he brings years of determined training at Davidson College and the Cincinnati Shakespeare Company to his characters. As a fight and intimacy director, he thoughtfully communicates with other artists to ensure safe, collaborative, and exciting movement in a story. As a Game Master, he combines a strong sense of play with deep roots in fantasy lore to nurture group story telling. As an educator, Ian empathically centers the students experience in the course of learning. But of course, these skills all combine in this human: Ian. And it is this unique human who brings his whole self to every project.
Working with consent and confidence to tell exciting stories of intimacy on stage or in film requires two things: an understanding of oneself as an artist and the use of theatrical intimacy best practices. This course covers both those facets and will prepare participants to work more confidently and with more tools on intimate theatrical material.
Leadership Speaking (And Listening) Through Acting
Meg McLynn
Meg McLynn is an actor, vocalist, and teaching artist who has been seen on stages and screens throughout North America. Meg loves to share her passion for performance with students of all ages, and it is her belief that the work we do in “the studio” is applicable to all aspects of our everyday lives.
Having studied for 7 years under renowned voice teacher, Kristin Linklater, Meg now works with students to help them take ownership of their wonderfully unique voices. She teaches Voice and Speech at Cornish College of the Arts, and she serves as a vocal coach with Jack Straw Studios. She has assisted with voice training at Columbia Business School and World Leaders Forum in New York City. Meg also teaches Voice and Acting classes at Freehold Theatre Lab and Mighty Tripod Studios in Seattle.
Meg is a member of the Seattle-based vocal trio, Blue Plate Special, and has been an Anthem Singer for the Seattle Seahawks. As a concert soloist, she performed the songbooks of Patsy Cline, Judy Garland, and Carly Simon with Purple Phoenix Productions. Local acting credits include roles with Seattle Shakespeare Company, Book-It Rep, Seattle Symphony, ArtsWest, Seattle Opera, Seattle Public Theatre, Washington Ensemble Theatre, Theatre22, Harlequin Productions, and 14/48: TWQTF, as well as the feature films “Different Drummers”, “7 Minutes”, and “Colton”. You can see her in the series, “The Girl in the Woods” streaming on NBC/Peacock.
In this age of digital communication, many of us find it challenging to communicate effectively when speaking to others, especially from a leadership position. This workshop is designed to help you develop confidence and clarity as an oral communicator, whether speaking to one person or to a large group.Learn strategies to:prepare your voice and
Clown Study Intensive
David Taft
David Taft was a Theater Professor at Cornish College of the Arts for 24 years and developed clown study coursework taken from his own training and performance experience. He curated the annual Clown Show at the Cornish Playhouse and currently is a movement consultant for stage and screen. His website and resume can be found at: david-taft.com
This course will explore personal clown in terms of physical gesture, expressivity, and the presentational aspects of this theatrical form. Students will begin with investigating the basics of the personal clown, which consists of literally walking into character, using your own physical idiosyncrasies as the underpinning of your clown
Leadership through Directing and Performance
In this leadership style course, students of all abilities will gain skills through the art of directing and performing. By stepping into the roles of both director and actor, students will learn the skills of effective leadership: organization, communication, and confidence. Students will engage in various acting and directing exercises,
Audition Prep Ages 12-14
Sophia Franzella
Sophia Franzella is a teaching artist and professional actor working in the Seattle area. After 11 years of classical ballet training, she decided to transition into the world of Theatre at the age of 14. After falling in love with Theatre in high school, Sophia earned her BFA in Theatre Arts from St. Edward’s University in Austin, Texas in 2013. She is also a 2014 graduate of A Working Group (a Meisner-technique acting program). Sophia has taught acting and dance throughout Seattle over the past 10 years (Lakeside Middle School, Village Theatre KIDSTAGE, Sing Out Seattle, STG, Mode Music, Coyote, 5th Avenue Theatre, Seattle Rep, Taproot Theatre). Sophia also offers private lessons for audition preparation! When she is not teaching, Sophia works as a professional actor in Seattle. She is a co-founder and company member of the theatre lab Filament: A Collab Lab for which she often choreographs and directs. She is also a Pony World Theatre company member. Sophia also enjoys hiking with friends, reading, watching spooky movies, and learning new subjects!
In this preparation course, students will unlock their potential and shine on stage with our Audition Prep tailored for aspiring musical theater performers. This dynamic course focuses on building confidence, enhancing performance skills, and mastering the art of auditions. Students will work with a professional actor to develop their talents and
Audition Prep and Performance Ages 15 -18
Sophia Franzella
Sophia Franzella is a teaching artist and professional actor working in the Seattle area. After 11 years of classical ballet training, she decided to transition into the world of Theatre at the age of 14. After falling in love with Theatre in high school, Sophia earned her BFA in Theatre Arts from St. Edward’s University in Austin, Texas in 2013. She is also a 2014 graduate of A Working Group (a Meisner-technique acting program). Sophia has taught acting and dance throughout Seattle over the past 10 years (Lakeside Middle School, Village Theatre KIDSTAGE, Sing Out Seattle, STG, Mode Music, Coyote, 5th Avenue Theatre, Seattle Rep, Taproot Theatre). Sophia also offers private lessons for audition preparation! When she is not teaching, Sophia works as a professional actor in Seattle. She is a co-founder and company member of the theatre lab Filament: A Collab Lab for which she often choreographs and directs. She is also a Pony World Theatre company member. Sophia also enjoys hiking with friends, reading, watching spooky movies, and learning new subjects!
Students will learn to elevate their musical theater journey with our Advanced Audition Prep and Performance course! This class is designed for dedicated performers looking to grow and potentially a fine arts program or audition new roles in theaters across the country. Refine your vocal, acting, and dance abilities!Students will receive expert
Auditioning for Musical Theatre Dance: Adult
Nicole Beerman
Nicole is an actor, singer, dancer, choreographer, teacher, visual artist, wife to Josh and mother to Max and Huxley. Nicole has lived and worked on both coasts, loves to create, garden, and do construction! On screen, Nicole has been seen in Nike, LG, and T-Mobile commercials. On stage in Adrift (Sam French Festival), Big Effing Deal! (Duet with Reggie Watts), Cabaret (Gregory Award Nominee), Mary Poppins, Annie, Bye Bye Birdie, How to Succeed, Once Upon A Time in New Jersey and many Village Originals (Village Theatre), The Constant Wife (Seattle Rep), Cabaret (5th Ave, AMTSJ, Ordway Center), Wonderful Town (5th Ave), Ming the Rude (Empty Space), Elephant and Piggie, Fire Station 7, Sleeping Beauty (SCT), Tapestry (Oregon Cabaret Theatre), and many more. As a choreographer and dancer Nicole had the honor of working with Sonya Tayeh and the Oregon Shakespeare Festival with running the dance call for the original production of Head Over Heals. In New York, Nicole’s work has been seen at the HERE Center, Ensemble Studio Theatre, Clubbed Thumb, Astoria Performing Arts, The Management and Acting Manitou. In Seattle, at KIDSTAGE, Cornish, Oregon Cabaret Theatre, The Triple Door, Café Nordo, Seattle Children’s Theatre, Fantastic Z, and Art Institute of Seattle. Nicole is currently teaching at Cornish College of the Arts, Seattle Film institute, and Westlake Dance Center. She has also taught at UW, Art Institute of Seattle, Hunter College High School, VAM Studios, 5th Avenue, Century Ballroom, McCarter Theatre Company, Jersey City Dance Academy, and The Studios. Nicole holds a BFA from Cornish College of the Arts, is a certified Simonson Technique teacher and a member of Actors’ Equity.
In this four week intensive, students will prepare for the world of musical theater dance auditions. Learning a new routine in a different style each week, students will have the opportunity to work on choreography retention, flexible thinking, bold acting choices, and storytelling through dance. Students will discuss dance call etiquette, proper
Auditioning for the Stage: Adult
Diana Trotter
Diana Trotter (she/her) is a Seattle-based actor, director, educator and coach. Locally she has performed with Taproot Theatre Co, Annex Theatre, Center Stage, Second Story Rep, Thalia’s Umbrella, UW Theatre, and Fern Shakespeare. She has also been seen on stages in Texas, Illinois, Montana, California, Oregon and Idaho. Favorite roles include Mrs. Bennett in Pride & Prejudice, Roz in 9 to 5, Mae Peterson in Bye Bye Birdie, Vivian Bearing in Wit, and Leonato in Much Ado About Nothing (twice!). Recent directing projects include Into the Woods (Icicle Creek Center for the Arts), Camelot, and Christopher Durang’s Vanya, Sonia, Masha and Spike (Contra Costa Theatre) and Steven Dietz’s Last of the Boys (The Modern, Spokane). Diana specializes in audition preparation and has taught auditioning master classes for the University of Washington, Seattle Youth Opera, and Viva Vocalists where she is also the acting coach for their musical theatre training program. Diana holds a PhD from UC Berkeley and is the former head of the acting program at Whitworth University in Spokane.
Successful auditions require both strong skills and the right mindset. This course is designed to help actors of all levels understand and master the tools necessary to excel at any audition and to shift from dreading auditions to delighting in them! This four-week course will cover every aspect of the audition process from where to find