I am energized by the spirited exchange of expression and ideas. I am a metal worker, sculptor and installation artist. I have always worked with my hands; gardening, farming, fabricating. I took my first metal working class at Pratt Fine Art Center nearly 25 years ago and went on to get a certificate in Welding/Fabrication at South Seattle Community College specializing in non-ferrous metals and blacksmithing. 

I have been a metalworker in various industrial and artistic capacities ever since: I ran public art programs in SE Seattle high school and middle schools, as well as worked alongside established artists and builders. I have recently returned to Pratt teaching forging and welding for adults, families and and teens. I also teach at Burkehead Art Center and Coyote Central.  I maintain a shop/art practice on our family farm amongst the goats in Woodinville, Wa. 

Born and raised in Seattle, Nikki moved to California to attend college, receiving a BFA in Film Production in 2002 from Chapman University. For the next 6 years she worked various office jobs in the film industry while also earning a Masters Degree in Secondary Education. In 2006 Nikki decided to shift her career to Special Effects Make-Up working at Creature FX studios and from there segueing into the stop motion world, beginning in 2008 with Shadow Machine on the Adult Swim hit show, Robot Chicken: Season 3. Nikki has worked as a puppet fabricator, lead fabricator and department head on numbers stop motion television shows, commercials and films, helping create iconic stop motion characters for such shows/films as Happy Honda Days (Socal regional commercial campaign for the last 12 years), Ask the Story Bots, Buddy Thunderstruck, Anomolisa and Ted Lasso to name a few. In 2022, the next adventure brought Nikki back home to Seattle to be closer to family and to hang out her own shingle as Puppets Northwest, offering a one stop shop for puppets of all kinds, SFX, 3D modeling/printing and educational outreach of all of the above.
 

Ellen Forney is the author of the bestselling graphic memoir, Marbles: Mania, Depression, Michelangelo, & Me, and its companion book, Rock Steady: Brilliant Advice From My Bipolar Life. Marbles has been translated into six foreign languages and was the selection for common book programs at the University of Washington Health Sciences schools and UC Davis. She curated an exhibition for the National Library of Medicine on Graphic Medicine, comics about health, and has given talks and lectures internationally at universities, conferences, and institutions, including a recent TED talk. As a visual artist, she created two large-scale murals for Seattle’s Capitol Hill light rail station. She has taught comics at Cornish College of the Arts since 2002 and is currently working on a middle-grade book on making autobiographical comics.

Born and raised in Seattle, Nikki moved to California to attend college, receiving a BFA in Film Production in 2002 from Chapman University. For the next 6 years she worked various office jobs in the film industry while also earning a Masters Degree in Secondary Education. In 2006 Nikki decided to shift her career to Special Effects Make-Up working at Creature FX studios and from there segueing into the stop motion world, beginning in 2008 with Shadow Machine on the Adult Swim hit show, Robot Chicken: Season 3. Nikki has worked as a puppet fabricator, lead fabricator and department head on numbers stop motion television shows, commercials and films, helping create iconic stop motion characters for such shows/films as Happy Honda Days (Socal regional commercial campaign for the last 12 years), Ask the Story Bots, Buddy Thunderstruck, Anomolisa and Ted Lasso to name a few. In 2022, the next adventure brought Nikki back home to Seattle to be closer to family and to hang out her own shingle as Puppets Northwest, offering a one stop shop for puppets of all kinds, SFX, 3D modeling/printing and educational outreach of all of the above.
 

I am energized by the spirited exchange of expression and ideas. I am a metal worker, sculptor and installation artist. I have always worked with my hands; gardening, farming, fabricating. I took my first metal working class at Pratt Fine Art Center nearly 25 years ago and went on to get a certificate in Welding/Fabrication at South Seattle Community College specializing in non-ferrous metals and blacksmithing. 

I have been a metalworker in various industrial and artistic capacities ever since: I ran public art programs in SE Seattle high school and middle schools, as well as worked alongside established artists and builders. I have recently returned to Pratt teaching forging and welding for adults, families and and teens. I also teach at Burkehead Art Center and Coyote Central.  I maintain a shop/art practice on our family farm amongst the goats in Woodinville, Wa. 

Dan D. Shafer is a graphic designer, artist, and educator living and working in Seattle. He owns Dandy Co., a graphic design studio specializing in book design, installation, and environmental design (as well as event promotion and branding). The studio's clients include Kronos Quartet, American Cancer Society, Salish Lodge, Herman Miller, and Pratt Fine Arts Center.

Shafer is also the creative director at Chin Music Press. His self-initiated social practice installations explore the nebulous territory that exists between traditional definitions of "art" and "design," and investigate how people interact with objects in their everyday lives.

Dan D. Shafer is a graphic designer, artist, and educator living and working in Seattle. He owns Dandy Co., a graphic design studio specializing in book design, installation, and environmental design (as well as event promotion and branding). The studio's clients include Kronos Quartet, American Cancer Society, Salish Lodge, Herman Miller, and Pratt Fine Arts Center.

Shafer is also the creative director at Chin Music Press. His self-initiated social practice installations explore the nebulous territory that exists between traditional definitions of "art" and "design," and investigate how people interact with objects in their everyday lives.

Tory Franklin is a visual artist working with diverse media unified by pattern, print, and narrative. Since 2010, Franklin has focused on public installations inspired by folktales that are accompanied by screen-printed books, posters, and other ephemera. Her work has been exhibited at MAD Art, Bellevue City Hall, Storefronts Seattle, Storefronts Auburn, Spaceworks Tacoma, the Renton Arts Commission, Arts-A-Glow festival, Portland Winter Light Festival, the VERA Project, and 826 Seattle. She has received a Seattle Office of Arts & Culture City Artists project grant, a 4Culture project grant, and an Artist Trust GAP grant for these projects. In 2015, Franklin created her first permanent window piece with her sister, Eroyn Franklin, for Harborview Medical Center, and is currently working on SoundTransit’s Star Lake light rail station in Kent slated to open in 2024.

Drawn early as a kid to grocery store paper signage, and sports logos, the tone was set there. 

During the early 90’s (due mostly to technological advancements); the hand painted aspect, and that look of general signage, took a dive. Around this time graffiti would start to catch my eye as a teenager.  That soon turned into an obsession that required drawing constantly and working with all sorts of surfaces. By my 20’s I was working with a small mural painting company employing at risk youth.  With a passion for good aesthetics in advertisement, and a love for letters and colors especially, sign painting naturally formed from my upbringing. 

Being a self-taught person already, it all just fit. Now with over a decade of hand painting signs, it’s become my career and lifestyle.  Written language has the ability and power to communicate an emotion, alongside its main purpose of conveying a message. The right typeface can paint a picture before the information is revealed. 

My goal is to keep the art of hand lettering alive and well.